জগত গুৰু শ্ৰীমন্ত শঙ্কৰদেৱৰ অমৃত সিদ্ধান্ত

with the friends at Vrindaavan during the time of grazing cows, is called Naadubhangee dance.
ShishuKrishna Dance – Shankardev created Shishu Krishna dance on the mysterious activities of childhood Krishna. Kaaliya daman is the example of Shishu Krishna dance. ChaaliDance- In Raasleelaa, Shree Krishna danced with the gopees by following the dance posture of peacock and it is called Chaali dance. Jhumuraa Dance – In Raasleelaa, Shree krishna disappeared when the egoistic feelings came in the mind of gopees. After that the gopees (ladies devotees of Krishna) became very sad. Therefore, Shreemanta Shankardev created Jhumuraa dance to express sad feelings of gopees.
Gopeedance- He created Gopee dance to express divine happiness of gopees in Raasleela.

In classical dance, the movement of hands and the feet are unitedly called as “Karan” e.g. —
The Movement of Hands –
These are are of two types – asangyukta and sangyuka movement of hands. There are twenty eight numbers of asangyukta movement and twenty three numbers of sangyukta movement in Shankaree dance. The examples of hand movements are mayur (peacock), Singhamukh (lionface), Matsya (fish), Kurma (tortoise) etc.

Movement of Feet –
Feet movement are of four types e.g. mandala (immovable state), bhramaree (flying motion), utplaavan (jumping) and Padachaaree (going).

Shankaree musical Instrument –
Mahaapurush Shreemanta Shankardev created a musical instrument called as “Khol” which is full of innovative and fundamental characteristics. Because the ‘Khol’ is completely different in shape and characteristics from other hide made musical instruments. Khit, dit, dhei and daao are the four sound of “khol” and these sounds are characteristically different from the sound of other musical instruments made from hide. The ‘Khol’ is the first classical musical instrument of Indian Classical music. After that Bhaatkhaande created dainaa-Tablaa in nineteenth century.
If we analyse this subject matter on historical scenario of India, it becomes crystal clear that the attack by muslim king Mohammad Ghoree in eleventh century was the beginning of muslim governance in India. After that British entered India in sixteenth century. In eighteenth century, the British expressed themselves as the political power in extensive way, and immediately the governance of muslim kings ended.
Before the muslim governance, the classsical song-dance-musical instrument were not created in India, and even in the world. The sage Bharat composed the scripture “Bharat-Naatyashaastra” in fifth century, but it was